- Andrew Bennett
- David Bennett
- Peter Bremers
- Veta & Daniel Carney
- Jennifer Caldwell
- Jason Chakravarty & Jennifer Caldwell
- Julie Chapko
- Suzanne Chudnoff
- Jacki Cohen
- Eneida Colon
- Juston Daniels
- Josh Dopp
- Bandhu Scott Dunham
- Anne Falvey
- Armoun Forghan
- Marian Gibney
- Sue Goldsand
- Lynn Gustafson
- Patricia Isaacson
- Dr. Gail Jamieson
- Barbara Kingdon
- Patty Lewis
- Cynthia Miller
- Laurie Nessel
- Warren Norgaard
- Sandy Pendleton
- Carole Perry
- Rene Schnog
- Vera Schov
- Andrew Schultz
- Cindi Shaffer
- Caleb Siegler
- Susan Silver Brown
- Peggy Pettigrew Stewart
- Deanna Stulgaitis
- Diane C. Taylor
- CarrieAnn Therese
- David Vogt
- Raven Wentworth
Email Sandy Pendleton
SandyPendletonGlass.com »
I have always been attracted to the beauty of light passing through colored glass. I love movement and texture. Bubbles please me. I am fascinated by the tremendous impact of light on glass. Light may pass through glass or be reflected. Looking closer at a piece of glass often reveals subtle depths, color combinations and interesting shadows. Many of my pieces have an iridescence to them and a lot of little textured surfaces that allow the light to bounce around. They change with the light over the course of a day and become almost glamorous in the evening. It is the varying quality of light that gives the pieces life.
The concept of kiln-fired glass is pretty straightforward. Glass is heated in a kiln until it softens and fuses together. Going beyond the basic process is where things really become interesting. The transformation of glass in the kiln can be very exciting. I am a curious person and I enjoy the surprises of working with glass.
A long time resident of Arizona, Sandy works from her home studios in Pinetop in the beautiful White Mountains of Arizona, and in Gold Canyon at the base of the Superstitions.